Octavia Spencer is a national treasure and must be protected at all costs. 

“Annabelle Comes Home” presents what I think is an important piece of this cinematic universe’s jigsaw puzzle.

Winterglass is effortlessly queer…

A Wind of Knives is told with a lot of elegance, but it’s not without its grit.

There is not quite enough Yuletide horror in the world, and Parker Brennon is here to remedy that…

The real villain here is not Chucky—it’s capitalism.

Portes and Fuentes assure the audience early on that this film will be taking no prisoners.

H.P. Lovecraft lives on in R.F. Blackstone.

My biggest gripe with The Intruder is its lack of commitment.

An energetic, warm, and thought-provoking labor of love, much like the group it documents.

A film that demands your trust.

The allure of internet fame makes people do stupid things. 

If Brightburn had just been willing to take its time…it could have amounted to something really great.

As a budding preteen writer, I wanted to be Sutter Cane. 

Easy on the eyes, Langella has a softer facade than most Draculas, making him a cunning casanova.

…the wholly cerebral penetration of Graham mixed with that keen physical restraint creeped under my skin, and into my brain.

Certified Copy is the epitome of enigmatic cinema, without being obvious.

Every minute of The Pumpkin Eater is emotionally draining.

The concepts of reality and fantasy blur continually, creating a nightmarish environment…

An undeniably brilliant performance that leaves the audience feeling just as scarred her character.