Told with a horrific charm and a comedic edge.

Mother Goose, but make it Grindhouse!

Highly visceral and immersive.

I’m not altogether confident this even qualifies as an erotic thriller.

Amy Seimetz penetrated and unfurled my psyche.

Not a good example of what a horror anthology can achieve.

I watched 624 movies in 2020. Of the ones I saw for the first time, these are my favorites. 

The Remaking obviously came from a cerebral place, but that does not mean that it’s devoid of visceral merits.

Ghosts of War is a movie at odds with itself…

Lacks a certain vigor that it could have used at times. 

The jump scares aren’t meant to merely frighten—they’re meant to awaken.

Camp Twilight plays like a rough cut—an unfinished and unpolished assembly of shots that form a story that’s only coherent-adjacent…

In addition to the thrilling deaths and the pitch-black humor, Freaky gets queer as hell.

Every frame a visual feast, and the color scheme shapes an atmosphere that is both distinct and ethereal.

Horvath’s performance continues to be the only exciting thing as the story builds…

A solid genre picture that will scratch a certain itch for fans of extra-terrestrial horror.

The Beach House is a commendable debut with a lot to unpack…

To save his own film, Franco should’ve leaned in and gone The Full Slasher.

Kitty Green tells this horror story tautly and with a consistent attention to authenticity.

Not harrowing at all.